Archive for the ‘General’ Category

Good To Be Home

Tuesday, March 13th, 2012

The new basement mantle. Still waiting for the glass top for the vintage lucite cocktail table.

Seating by the new basement doors overlooking the pool

Basement entry/laundry room

The basement cabinet filled with our treasures.

Our antique desk in its new home, along with a souvenir painting from Antwerp. The Russian sideboard was from the living room.

A re-purposed desk in the new office space

The new office space is amazingly comfortable. TRS made the sofas for us. The rug and zebra hide were repurposed from the living room.

New vanity, bowl, and plumbing.....as well as the wool plaid walls, in the basement bathroom

A simplified grouping of accessories on the foyer chest

The new dining room window looks fantastic from the foyer

Sideboard from the bedroom really gives us extra serving space in the kitchen

Kitchen looking toward the living room. Notice the counter top we honed, as well as the gleaming floors!

Chairs from the living room rest beautifully in the foyer.

The painting over the fireplace, a souvenir from Venice, adds new energy to the den

New floors in the den

Close up of the new den painting, and a couple of our favorites....hand made Staffordshire cats by a contemporary English artist

The den

The dining room from the living room

Chairs from the foyer look fresh in the living room

Chairs from the foyer look fresh in the living room

A new Louis XV lacquer desk and pair of antique Chinoiserie lamps add weight and drama to the living room

A new display cabinet holds treasures in the living room. John McGilvray built the pediment to add a little history to this room.

A new cocktail table continues the ebonized theme in the living room, and the re-positioning of some artwork adds a new look

The new rug provides a unifying backdrop for the room, and the addition of the cocktail table with a shelf helps to hold a collection of books.

Navy lacquered walls and a repurposed desk from my office add depth to the master bedroom

A simplified bed in the master bedroom. Still waiting on Sferra to complete our linen order.

New Sferra linens add brightness to the yellow bedroom

The green bedroom

The green bedroom

A repositioned console and painting, as well as the addition of draperies really soften the green bedroom. The Scalamandre' linen was a perfect color match.....12 years after the original fabric was used for this room.

A repositioned console and painting, as well as the addition of draperies really soften the green bedroom. The Scalamandre' linen was a perfect color match.....12 years after the original fabric was used for this room.

It has been a full four weeks since my last update on the progress on our home. After many tedious punch list items, we are fully complete inside, and have moved back in.
Home Choice came through! Marvin Windows sent one of their factory technicians to go through the entire house and tweak everything. They worked on every window to make sure that they were working easily and smoothly. All the screens work great now, and locks work perfectly. It is amazing the difference that this tweaking had. Home Choice has our replacement doors for the basement on order as well as one window that was not as ordered, and those should be here and installed soon. We are really happy with the finished product, and are glad that we have had a happy ending with the issues we were having with the windows. Schmid and Rhodes needs to be commended on their efforts to get all of this coordinated and making sure that it was all perfect.
The process went really smoothly….with a few minor hic-cups. The biggest time waster was the final coats of floor finish. The floor finisher did not ask what sheen level we wanted…..and considering that they installed our living room floor when we moved in 8 years ago, I didn’t think to tell them. The antique floors we have are finished with tung oil. I had put a touch up coat on the living room floor and steps a few years ago, and just used the basic Minwax tung oil finish. It renewed the floors beautifully, and gave them their original glossy sheen. Bobby and I, at the advice of Schmid and Rhodes, planned a short trip to Asheville duing the time the finish was to be applied so we would be out of the fumes. Well, the plan did not work as planned. When we came home, our floors had a matte finish on them, so ALL of the floors had to be re-coated with a glossy tung oil. Who knew that tung oil came in sheen levels? It was always shiny before, so I never thought about asking. Just goes to prove that the only stupid question is the un-asked question.
The wallpaper was installed in the basement, and it is lovely. Bill Armstrong did an amazing job on this. The stripes make for a really casual look that is perfectly appropriate as an area just off the pool, and the grasscloth texture makes it feel really cozy.
The new glossy navy paint in the master bedroom is amazing. It is one of my favorite rooms now. The paint, coupled by several re-purposed pieces of furniture, and a new grouping of art in this room have really given it a facelift.
Dan Border and his crew were diligent painters, and in the end re-coated every piece of trim in the house. Everything looks fresh and pretty…..but this is one of the things that added days to the process. The floor finishers got the tung oil finish on the base boards and stair risers, so then those had to be re-coated. Things like this just really slowed down the process. The paint is silky smooth, and now that it is complete, our door detail really pops.
Shoe molding was another pain that took time. You can’t put down shoe molding until the floors are fully finished….and since they all had to be re-done, we were late with that. The finish carpenters did a great job though, and the molding looks great now, and you cannot tell that the floors we just put down were not original. Even the trim around the kitchen island proved to add a beautiful detail to the island itself. Another molding detail was the mantle in the basement. The “wall” had been installed for a couple of weeks, but the installation of the completed mantle really dressed up the space, and gave new life to the fireplace. John McGilvray did an amazing job with this. It looks amazing.
The electronics installation proved to be more complicated than anyone imagined. We are using the RTI remote control on some of the lights, and we discovered that since we live in an older home…..not every switch was grounded, so we had to do a considerable amount of re-wiring to get the lighting controls to work properly. Now, we can control lots of lights in the house from the iPad and from the iPhone. It is great, and super convenient. The television in the basement works on these same iPad controls, as does the 7 Sonos systems that were installed to give us sound throughout the house and pool and deck areas. The sound is amazing, and the fact that you can control it from your phone is just….well….cool. Paul McKee and his crew at Audio Video by Design did an amazing job putting this system together, and it was a real trick to do in a house that was built as ours was.
Final installation of lighting trim kits was another punch list detail. It just seemed like that nothing was getting fully complete. The workers would do 90%, and then move on to something else. Maybe there was some logic in it somewhere, but it was hard for me to see. We got the counter top in the basement bathroom, and the sidesplashes could not be installed until the wall fabric was applied, so that was one more little detail that had to come later. The sink was installed with the Toto label showing…..I didn’t like that, so it had to be re-installed backwards to cover up the label. Lighting in the new cabinet was installed….but the color was wrong so it had to be re-ordered. Shelves were installed in the cabinets, and we discovered that with some of the electronics, we needed some modifications so those had to be made. John McGilvray did a great job with those final details, and everything is now fitted perfectly. A missing vent cover, a missing switch plate cover, a missing door handle…..all these little things just took time to take care of. We were 98% complete on Friday, February 17.
The next processes went very smoothly. I had scheduled Duct Doctor to clean all the ducts and HVAC systems in the house on the 17th. It had been 8 years since they had been fully cleaned, and with all the construction dust, I knew we would never get rid of the house dust if we did not do this. They did an amazing job, and at this point, we have little to no house dust. Over the weekend we started cleaning. We had the entire upstairs complete by Sunday, and on Monday I started working with our house keeper Janette on the main floor. We cleaned all the kitchen cabinets fully, and re-organized in the process. It is amazing what we were able to eliminate, and just pulling everything out lets you really see what you have so it can be put back together in a better way. We polished floors, washed walls and trim, and had everything on the main floor cleaned by Monday afternoon. The window washers came on Tuesday…..and were here for two full days. They say it won’t take so long next time…..just the construction clean was really involved. The windows are shining now, and they really look great. On Tuesday, Janette and I worked again and this time cleaned the basement, starting in the laundry room and storage closet. Those areas are also well arranged now and more functional. We washed all the moldings and floors. Carpeting upstairs was also cleaned on Tuesday.
Wednesday is when the house started coming together. The rugs that had been out for cleaning and repair all were re-installed, along with the new living room rug and repurposed sisal rug in the basement. Randy Vaden took care of the rug installation, and as always did a perfect, pristine job. Pads fit perfectly, and everything is perfectly square. He also did an amazing job applying the velvet border to our living room rug, and leather to the re-purposed sisal rug in the basement. Prestige Cleaners had taken our draperies out when we moved out, and stored them for us. I didn’t have them “cleaned” but they did thoroughly vacuum them and got rid of all the dust. They came on Wednesday and reinstalled them, so the rooms really started to look complete. Paul McKee and his crew spent all day Wednesday working on the audio video system tweaking it for final install. They worked until about 8:00! Less than 15 minutes after they left, we had a power surge, and the entire system went out in the whole house. No cable. No internet. No phone. This was just typical of the construction process……and it seemed like it was all related to the new system, but it wasn’t. Thursday, I had to spend the afternoon here getting the problems fixed with Charter Cable and TDS Telecom.
Friday, February 24, was really a great day. We started loading the trucks with everything that had been stored, and had the first load here by 10:00. We had 5 box truck loads and about 3 van loads to get everything back in the house. Mike Croft and his delivery crew were amazing. They are so careful with everything, and I don’t think we scratched one piece….or dinged any trim in the move in process. We knew where most things were going, but this was our opportunity to really think about where things would end up, and we did a fair amount of “trying out” on items to make sure we were getting them in the best place. As a result, there are lots of pieces with new homes within our house.
Saturday, Bobby and I spent all day working on the art. We pulled all the art that had been stored in the upstairs bath and powder room out, and started playing with where everything would go. There were certain pieces that went back exactly where they were before, but many others moved around. We hung, and hung, and hung. We tried things in different places….and edited the collection in the process. What we ended up with looks really great, and it showcases our collection better than it has been before. During this work, we were also placing lamps and a few key accessory pieces….but the main focus was art.
Sunday, Bobby and I worked on accessories. We really tried to limit the number of pieces that were on display, and what was left over, would go in either the new cabinet in the living room, or the new cabinet in the basement. This worked really well. We got to showcase some of our most favorite things, while at the same time being able to display virtually all of our treasures.
The process of installing rugs and draperies one day, furniture the next, then artwork, then lamps and accessories was really perfect. It allowed you to see the rooms develop. In a typical move, the house gets cluttered with empty and full boxes, art and accessories sitting everywhere, as well as things that should never be “on display” sitting out. By doing this move the way we were able to do it eliminated all of that and you could really see what you were doing. As a result, this project came togehter really quickly.
It was rewarding to do this for us. We install jobs all the time, and get to experience the joy that clients have with the finished product, but it is truly rewarding to do it for yourself….and when you are complete, be able to call it home. One of my clients told me a while back that her builder gave her words of advice years ago on the building process. You will forget how messy it was. You won’t remember what a pain it was. You will forget what the headaches were, and you will forget the things that had to be done two or three times. You will even forget how much it cost…..but you will never forget if you like it……so it is really important to LIKE what you are doing. In retrospect, I’m not sure there is anything I would do differently.
Now, the final phase of the project. The slate roof. We are having a bit of an issue in matching the existing slate, so it has been decided that instead of trying to match it, we will replace it. This has brought up an entirely new concern in that our custom color clad windows were designed to coordinate with the roof we currently have…..so color is very important. Schmid and Rhodes is working to find a solution to the problem, and hopefully tomorrow we will have the perfect sample for the slate.

Good to see some Progress

Monday, January 23rd, 2012

Honing the counter top

 

It has been about 10 days since my last update.  We have been working at a couple of out of town markets, and honestly, the progress has been really slow. 

One good thing happening was that the kitchen island marble did get honed, and it looks amazing.  When we originally put the marble top on the island, I let the installer talk me out of honing the stone.  I knew it would perform better….but he didn’t want to do it because it wouldn’t have as much depth to the color….and I was tired of the building process and didn’t want to argue.  Lesson learned….we should have honed it.  It was highly susceptible to any sort of acidic substance, leaving un-polished rings everywhere.  Well, the honing did the trick, and the surface looks lovingly aged, and all the rings are gone.  It should have been like that 8 years ago when we moved in.

We got the duct work fixed so that it did not have to drop below ceiling level!

 

The new living room window is fantastic....and so much more classic than the "picture" window that was previously there.

 

Wood flooring for the kitchen and den are acclimating to the house, and will be installed next week

 

My favorite thing so far.....the new kitchen window. Elongated by one pane, it now opens up the view to the lawn and really adds a great amount of additional light.

 

At this point, almost all of the windows are in…..but nothing is trimmed.  Painters are starting to work on windows, and again, nothing is complete.  The ceiling has been removed in the basement, so we are ready for the new tongue and groove ceiling…..I hope.  The laundry room got this same treatment, and it is installed. 

The basement.....it keeps getting worse!

 

Over the weekend, only about half of the ceiling was out.  Today, it got progressively work.  Evidently, that is what happens when you try to straighten out 44 years of unevenness.  It will be level when we are done, and hopefully the effort will be worth it. 

We do have the final mantle design complete for the basement, and hopefully that will be installed within a week. 

A lot of electrical work has happened.  The recessed lights are totally installed in the basement…..other than the ones that had to be removed due to the ceiling being torn out.  We added spot lights over the beds in the two upstairs guest rooms.  There were no overhead lights in there, and this way, there will be at least one light that can come on and be effective with a flip of the switch inside the door.  We also added a couple of portrait lights in the den to help even out the light in that room.  It is probably the darkest room in our house, and this will be a greatly welcome addition.

Wednesday, January 11th, 2012

Parquet.....gone

Lots of great progress today!  The first “layer” of parquet was pulled up in the den.  Evidently, the way this product was produced, there was a thin layer of wood over a plywood base……and this thick layer of black tar that joined the two together.  It went down in one piece, but it comes up in two!  Tonight, we have the black tar layer exposed, and tomorrow that should be gone.

We also discovered that part of the soffit in the basement can be removed without totally redoing all the duct work, so we will be able to get draperies in that room now and really add a great deal of softness to the space. 

Four windows were pulled out and replaced…..at least positioned in place and secured.  There is lots of trim work that has to be done at this point, but at least the new windows are in two of the bedrooms. 

Paint on the door details continues to move slowly, but the result is fantastic, and we are really pleased with the look. 

Marble fireplace covered for protection

January might not be the best month to change out windows

First stages for window removal.....take off the trim

Foyer chest all wrapped up for safe keeping

 Another great day today!  Schmid and Rhodes is doing a really great job, and they are being so careful with our house……even in its current state.  Every day when I come home, my desk is uncovered, and the floor swept. 

The floor came completely up in the den today, we got a real head start on wiring for house sound and for security cameras on the outside of the house, and the old tv cabinet in the office got removed.  The rain definitely slowed the window installation process, but they did a lot of prep work in taking off trim on the windows so more will be ready to change out tomorrow.

Down to the subfloor in the den

We will be able to move this duct up to get a flat ceiling in the new media room

TV cabinet.....gone

One of the new windows....notice there is no "crank" All you have to do is raise the lever and push the window open

Push out handle.....ready to open

Easy to open!

 

The start of wiring......

Finish samples for the new tv cabinet/bookcase. The body will be the antique black with wood stained trim, and the back will be the antique white v-groove

Christmas Decorating at The White House, 2011

Thursday, December 1st, 2011

That's me with the incredible Jim Marvin from Nashville. We worked together on several projects this year in the White House. Here we are in the Green Room.

Again this year, I was notified by an email from Jeremy Bernard, the Social Secretary at The White House notifying me that I was again selected to be among the volunteers to decorate the house for Christmas.  My method for applying was the same as last year.  I wrote a letter to the Chief Floral Designer, Laura Dowling, and also to the Social Secretary.  I sent my letters in February, and did not hear anything until the first week in October.  Once I got to Washington, I discovered that the selection process was essentially the same as it had been before.  A few veteran designers were retained to keep some amount of familiarity with the process.  This time, there were about 160 total volunteers, most of which had not done it before, instead of the 100 who were there the previous year.  Some of the volunteers were selected on the basis of their skill, ability, and talent; while others were selected because of their want to do the work.  It was again an honor to work with all these volunteers to make the People’s House beautiful for this country. 

Many of the details of these days were similar if not identical to the previous year, so I am not including as many specifics about timing, descriptions of the warehouse, and even the preparations because it is so much the same.  If you want to just see pictures of the finished product, please just scroll on through.

My mom, Patricia Richesin, and I in The Blue Room at the Volunteer Recption

The first day of work was Black Friday.  I worked at The White House warehouse somewhere on the outskirts of DC.  There were sample “baskets” of ornaments for each room sitting in front of huge stacks of boxes marked with the same names as the basket.  A basket and box stack (or box row) for almost every room in the house.  From the West Wing, to the historic State Floor, to the Private Residence, every part of the house would be decked for the Holidays. 

The theme for this years decorations was “Shine, Give, Share” and was all about celebrating and finding ways to lift up those around us; to take time to reflect on the opportunities we have; and to shine, give, and share throughout the season.  Each of us has the power to make a difference in our world through service to one another while at the same time brightening our future.  The hope of the President and First Lady was that “the sparkling brilliance of the People’s House, and all it represents, remain with us throughout the year, and may it remind us to reflect the light and joy of this season each day in our service to each other.”  My personal hope is that I was able to “shine” at The White House and use my gift and talent to bring joy to others.  Over 80,000 people will see the house during the Holiday season. 

We unpacked ornaments, counted them, and sorted them into like containers for each room.  We removed any broken ones, repaired ones with missing tops, and added wire to ones with none.  Last year, about 75% of the decorations were recycled from previous years.  This year, I would say that outside of the greenery itself….which would all be fresh…..95% of the things that were used were recycled from previous years.  I have done holiday decorating professionally for many years.  It is really hard to re-use items in a different way, even in a small scale project, because what you have is designed to fit a certain way.  Ribbon is especially hard to re-use in a different way.  Somehow, the folks at Agency EA who organized the event had all that figured out.  Agency EA is the group who organized the entire production of decorating the house.  From coordinating volunteers, to deciding what goes where in the house, they were the team who supervised, planned, and ultimately were responsible for the magic that would happen.  I didn’t see all the personal ornaments this year that were sent in that I saw last year…..but they were there.  Many people were unpacking those, I just was working in a different place.  I can tell you that if it was sent in, it was used somewhere in the house.  They even read ALL of the letters of request for the volunteers!  Once counted and sorted, all of the boxes were re-sealed and labeled with a different color label….pink meant it was complete and ready to be put on a truck…..then inspected by the Secret Service, and put on a truck to be delivered to the house. 

Detail of the magnolia and fruit cluster garland for the State Dining Room

One of the things we started at the warehouse on Friday was figuring out the look for the State Dining Room.  I worked with Jim Marvin on this.  Jim has been a White House volunteer for 15 years, and consulted and designed many of the decorations for years before that.  A large percentage of the decorations used in the house were originally designed by him.  We decided to use magnolia garland as a garland on the two large trees flanking the fireplace and Lincoln portrait in the room.  We would create clusters of fruit made from tiny individual glass beaded apples, pears, and plums; incorporate fresh seeded eucalyptus into them; and tiny green velvet leaves.  This was a labor intensive process, and one that would ultimately start on Friday at the warehouse, and still be going until mid-day on Tuesday in the State Dining Room.  There were literally hundreds of these clusters made and used on these lavish garlands.  We also decided to use gold glass pinecones, and beautiful pink glass spiral ornaments to decorate the trees.  We added in gold shiny balls, and other decorations in brown and copper tones to add some depth.  The overall effect would be stunning once complete.  The items for the State Dining Room were not totally grouped together in the warehouse, so we made sure we got them all in one place before we finished for the day. 

On Saturday, I was assigned to work at the White House instead of the warehouse.  I reported early, and was escorted into the First Lady’s office suite by Ximena Gonzales, the asisstant to the Social Secretary.  We had a sneak tour of the First Lady’s office, which looked more like a comfortable living room than an office.  There was a large mahogany dining table and 10 chairs on one side of the room, and a sofa with a pair of “spool” chairs from Hickory Chair Company on the other side.  I was tickled to see the spool chairs, since it is one of my favorite frames.  We have one of them at home, and even have one in the shop right now.  The look was very tailored and neutral.  There are a lot of people who work in The White House….it truly functions as an office, a museum, and a home….so most of the offices are very small.  Even people who hold really important positions have relatively small offices. 

After this sneak peek, we had to unload one of the delivery trucks that had arrived with the decorations for the West Wing.  The President was getting ready to leave the house with his family, and there were at least 10 vehicles in the driveway on the South Lawn.  We had only a few minutes to completely unload the truck because it had to be off the property before the President could leave.  We staged items on the terrace of the Rose Garden, and would ultimately carry them through the Palm Room, down the collonade to the West Wing. 

I worked on the mantle in the Roosevelt Room, directly across the hall from the Oval Office, with Jordan Calgaro…..one of my veteran friends from last year.  Sherri and Cate, new friends from this year, worked on the tree in the Oval Office.  We used thick noble fir garland and draped it across the mantle letting it drape onto the floor on the ends.  We wrapped the garland with wide gold satin ribbon, and a brown and gold woven ribbon with wired edges.  This ribbon would ultimately be used in many rooms of the house.  We did large clusters of natural pinecones painted gold in the corners and center of the garland, and then added some glass pine cones, and glittery copper balls in.  We tucked in some gold leaves…..the same ones we used last year in the State Dining Room and East Room.  After lunch, we worked on the garland in the Cabinet Room.  We used the same thick noble fir garland, and laid it straight across the mantle and let it drape onto the floor.  This look is apparently a White House standard, and is something I always try to do in my own work.  The extra length on the floor really adds a lush look.  The ribbons for the Cabinet Room were a gold satin ribbon, mixed with an orange and green stripe with gold sequins.  We tied large bows for the corners of the mantle, and let the tails cascade into bishop’s sleeves down the sides.  Everywhere the ribbon tucked up, we put a cluster of gold pinecones, satin orange balls, and bronze glass acorns.  We then did a similar cluster in the center of the mantle and at the corners.  Add in a few gold leaves for sparkle, and it was really beautiful. 

The top of the tree in the Oval Office was out of Sherri and Cate’s reach, so I finished off the top for them.  Security was super tight.  There was a guard inside the colonnade doors, and to get into the Oval Office itself, you had to show your identification….where it was recorded in ink in a book.  No white out or deletions that way!  Once recorded, you could move freely about the office, but only for the time period you were allotted. 

The Oval Office was a beautiful space.  Very neutral, with beige shadow stripe walls, and sofas upholstered in a rich brown velvet fabric.  There was a modern cocktail table with a simple wooden dough bowl on it filled with honey crisp apples.  There was definitely a lack of decoration, but it still looked Presidential.  The draperies were in a wool crepe shadow stripe fabric in a deep red tone, and by the fireplace were a pair of tan leather chairs.  A beautiful antique table on each side of the fireplace held a bronze bust of Lincoln on one, and of Martin Luther King on the other.  The rug was noticebly not plush, but was a beautiful neutral texture, having the eagle symbol in the center also in neutral tones.  The border was deep blue with inscriptions that were meaningful and inspirational to The President.  Of course, there was the legendary desk.  It was a little smaller than I had imagined, but the detail carvings on it were amazing.  The ceiling in the office was slightly domed, creating perfect acoustics.  You could literally hear a pin drop. 

I also got a peek at the Vice President’s office.  No Rose Garden view here, and considerably smaller; it was painted a navy blue, and was accented with reds and golds. 

Finished trees and garland in the State Dining Room

Beautiful sconce decorations in the State Dining Room, created by Jim Marvin, and using laurel and bay leaf swags, pink spiral glass ornaments, and clusters of beaded fruit

Paradise Transformed

Monday, January 10th, 2011

Pool and original house

Guest house and dining pavillion

 

You may have read about a house we designed in Key West in the June issue of Traditional Home magazine.  Shortly before the article went to press, the homeowners had the opportunity to purchase the house immediately behind theirs.  This was a once in a lifetime opportunity to combine two properties with such historic significance in the heart of old town Key West.   On March 14, 2010, I did a blog post entitled “Southernmost Before and After” showing pictures of what is now the guest house in the following series of photos.  Check those out first, and you will not believe the transformation shown in the following images.  The photos are arranged as if you were walking through the space.
Our goal was to make the two houses seamless, as if it has always been the way it is now.  The property behind the main house had the same size lot, but a much smaller house.  We were able to remove all the un-historic portions of the house, and add on a fantastic guest house.  The original part of the house is now the “dining pavillion”, an outdoor dining and seating area that is perfect for entertaining.  In order to complete the picture, we added a master bedroom suite, a loft sleeping area, a small kitchen, powder room, and a small sitting room.  It really is paradise transformed. 
In order to maintain the casual feel the owner wanted; we used linen fabrics, comfortable upholstery, original old house details, and striped the floors with white a green paint to really enhance the cottage feeling.  We also intensified the same color palette that was used in the main house.  It really got punched up for more impact.  The results are pretty dramatic.

Pool and guest house

Dining pavillion

Restored exterior of the guest house

Dining pavillion

Dining pavillion seating area

Dining pavillion at dusk

One of a pair of sideboards in the dining pavillion topped with French black clay pottery

Dining pavillion at dusk with the l.e.d. lighting in the pool illuminating the house

Kitchen

View through the guest house

Living room

Powder room

Sleeping loft

Seating area in the master bedroom of the guest house

Antique blue lamp adds an unexpected pop of color in the bedroom suite

Guest house bedroom with plasma pop up cabinet

Vintage key lime painted Italian chest and custom pagoda style mirror in the guest house bedroom

Guest house master bathroom

We worked on the main house some too.  New French style doors were added to the master bedroom, allowing direct access to the pool area, and a former deck space was converted to an office for the homeowner.

Main house master bedroom

Main house master bath with new vanity area. Vanity is an Italian antique.

New office area

18th century Italian cabinet as a credenza in the new office

Laurel Magazine – “Home of Distinction”

Sunday, October 10th, 2010

Laurel Magazine is monthly shelter magazine focusing on life in Highlands and Cashiers, North Carolina and the surrounding community.  They do lots of interesting stories about local happenings, new restaurants, where to stay, what to see and do, and also feature some beautiful homes in the area.  For the September issue, they selected a home I designed in the Old Highland Park neighborhood in Highlands, for a couple whose main home is in Knoxville, for their “Home of Distinction” feature. 

A little about the house……my clients love the mountains, and wanted a cozy retreat there.  We worked with a favorite color scheme of hers….blues and oranges.  The result is a beautiful interior that feels fresh.  This is an unexpected color scheme in an area where most people choose browns, greens, and neutrals.  Most of the rugs in the house were custom braided rugs I designed.  Antiques are a favorite source of inspiration for my client, so we used old pieces wherever we could.  The colors are happy, the upholstery is comfortable, and the space is relaxing.  I love it, and hope you enjoy.  More photos of this project are located in the portfolio section of my website under the heading “Old Highland Park.”  www.toddrichesininteriors.com/index.php?page=old-highland-park  

The Magic of Fortuny

Saturday, May 22nd, 2010
My mom, Patricia Richesin, in the Fortuny showroom studying the fabrics

My mom, Patricia Richesin, in the Fortuny showroom studying the fabrics

While in Venice we had an invitation from Fortuny to visit their facility on the island of Giudecca.  A vaporetta ride, and we were there.  The factory is housed in an old brick building, right on the Giudecca canal.  The only hint at what awaits inside are the letters spelling the family name across the top of the building.  The showroom is located on the property of the factory, and has recently been completely re-designed by Barry Dixon.  We were met by Giuseppe Ianno, the manager of the facility.

 

The retail portion of the Fortunty with the walls upholstered in their fabrics

The retail portion of the Fortunty with the walls upholstered in their fabrics

The showroom is truly breathtaking.  To see the beautiful Fortuny fabrics used so lavishly was a real treat.  For those of you who aren’t familiar with the product; Fortuny is a hand printed cotton fabric, typically with a soft metallic design in either gold or silver applied over the printed cotton.  Sounds a little glitzy for most folks, but the reality is that it is not.  The fabrics are beautiful and can be as subtle or as powerful as you want, depending on the combination of colors.  Oh, forgot to mention that they can also be customized, so it is possible to get the exact design that you want, in exactly the color combination that you want.  They only use the finest cotton, and at first glance, you would think the fabrics were printed on silk because of the luminous sheen. 

 

Wings of luxurious fabrics, and bolts in the background

Wings of luxurious fabrics, and bolts in the background

Detail of the lavish drapery.  The border was quilted.

Detail of the lavish drapery. The border was quilted.

A blue and green color scheme was used in the showroom to reinforce the “water” theme of the Venice location.  Many folds were in the drapery panels to compliment the “waves” in the water beyond.  The draperies were one of my favorite things.  The border was quilted, and the draperies had Fortuny lining fabric “tied” to the face fabric.  It was a beautiful detail.  Also in the showroom were the new range of Fortuny Murano glass lamps, as well as address and note books bound with their stunning fabrics.

 

The new range of Fortuny lamps, which have illuminated bases

The new range of Fortuny lamps, which have illuminated bases

The lavish draperies facing the Giudecca canal and a Venetian mirror with Fortuny fabric behind the glass

The lavish draperies facing the Giudecca canal and a Venetian mirror with Fortuny fabric behind the glass

 

We had the opportunity to tour the garden on the property after we were finished in the showroom.  I’ve been to lots of factories over the years, and never have seen a beautiful garden associated with one.  The garden was lovely, and covered in roses in full bloom.  There is also a swimming pool on the party where the Countess who formerly owned the company entertained.  It is one of only a handful of swimming pools in Venice, where they are currently banned since they do not fit in with the historic accuracy of the city.

 

The garden with rose covered trellises

The garden with rose covered trellises

 

Another garden view

Another garden view

 

The factory pool, complete with changing rooms.  The rooms have fully mirrored back walls which make the pavillion seem open to the space beyond.

The factory pool, complete with changing rooms. The rooms have fully mirrored back walls which make the pavillion seem open to the space beyond.

 

As we walked back toward the Vaporetta to return us to Venice, we passed the bookbinding studio where the address books covered in Fortunty fabrics were made.  The gentleman producing these was so proud of his craft, and really did an incredible job.  It was an awesome experience and made for a memorable day in Venice.

 

Binding books with Fortuny fabrics

Binding books with Fortuny fabrics

 

Applying the glue that binds the books

Applying the glue that binds the books

WBIR Live at Five at Four

Tuesday, March 23rd, 2010

Recently, I was asked by a local television station to do an interview about the latest features of my work in House Beautiful and Traditional Home magazines.  This was a fun interview by a gracious producer, Erin Donovan.  She came to my home, Casa Real, one afternoon and we talked about design, the future, and other topics for a couple of hours.  The atmosphere was relaxed, and she did a great job of capturing me at home on my own turf.  It all boiled down to 2.5 minutes of well edited footage, which you can view below. 

 

Click here to see video

Niche Design

Sunday, March 7th, 2010

A friend of mine shared this New York Times article and slide show with me today. Zach Motl follows some of my design philosophy which breaks conventional thought about space planning.  Zach also has a great color sense.

A Roomy 178 Square Feet

By: Penelope Green

Published: February 10, 2010

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Robert Wright for The New York Times

THE tins of seasoning on top of Zach Motl’s refrigerator — Old Bay, Hungarian paprika, Madras curry powder — are for show only, chosen for their graphic punch and nifty typefaces. Living in a room that’s only 178 square feet, you don’t want to cook much, Mr. Motl said; it’s just too odoriferous. He once made French onion soup, and the apartment smelled for four days. “It was gross,” he said.

But Mr. Motl, 25, has made the most of this studio apartment in Clinton Hill, Brooklyn, which he rents for $944 a month, and has outfitted for about $2,500 in the three years since he moved to New York City. He has hewed to the old decorating dictum that says the more stuff you put in a room (albeit artfully arranged stuff), the bigger it seems. More really is more.

Mr. Motl, a theater major who also studied sculpture at the State University of New York at Geneseo, had planned to pursue a career in acting after graduating in 2007. Like so many before him, he had been testing the waters in New York City during his summers off from school, cobbling together a living and a career path by doing two or three jobs at a time, along with a handful of internships: waiting tables in Bellport, N.Y., his hometown, and in Brooklyn; teaching sailing at yacht clubs up and down Long Island; interning at P.S. 122 in New York, and for Miles Redd, the maximalist designer.

Pretty quickly, Mr. Motl began to realize he would much rather work in interior design than the theater. “Not that I knew anything about it,” he said. “I thought ikat” — a trendy textile — “was a piece of furniture.”

Still, he is an innately stylish guy. “I always knew what I liked and what I didn’t like,” he said.

And he has a sailor’s sense of thrift and handiness that has served him well in his new profession, and at home. When he moved into this apartment, a grubby white box, he removed all the window panes, scraped them clean and reattached each one so they wouldn’t bang or let the cold in (he keeps them sparkling clean).

He also chipped the mirrored tiles off the bathroom walls — “That’s when the love affair with my downstairs neighbor began,” he said dryly — and painted the room midnight blue. He built task lights with a steampunk aesthetic out of components he found at Canal Lighting for less than $200; he also put together a milk-glass shade ($12 on eBay), an Edison bulb ($18 at Canal Lighting) and an electric cord to make the fixture that hangs atmospherically over the beadboard breakfast counter/front hall table/cabinet he built himself.

Mr. Motl knows how to arrange furniture in groupings — an office “area,” sitting “room,” “bedroom” and so forth are clearly defined (though only a few inches apart). And he knows how to hit the sweet spot that turns a bunch of objects — like stacks of National Geographic magazines — into a collection, and how to array those objects so they look sculptural, instead of like a sign that he might be a candidate for A&E’s “Hoarders.”

Mr. Motl has been “collecting” since the age of 5 or 6, picking things up from the curb for his room, visiting yard sales when he had his own money. He recalled being kicked out of an antiques store at age 10, because the proprietor thought he was in there to steal something. “I remember, after running to my mother in tears from the confrontation,” Mr. Motl said, that the store owner defended herself “by saying, ‘What interest would a 10-year-old have in antiques?’ ”

When a professor at school culled his library of ’40s and ’50s Penguin paperbacks — mostly theater titles — Mr. Motl scooped them up. They’re jammed together on the shelf above his bed, books being one of the many multiples Mr. Motl has filled this tiny space with.

Wooden tennis rackets hang on the walls. “I bought one at an antiques store,” he said, “and then felt like an idiot because I kept finding them on the street.”

The blue Marc Jacobs Wellington boots were purchased on sale for $10.

Does he ever wear them?

“No, they’re just there.”

By November of 2008, Mr. Motl wanted just one (full-time) job. He was still waiting tables to support himself while he worked part time for Mr. Redd. A friend showed him a posting on Craigslist by Robert Couturier & Associates, the upscale architecture and design firm.

The ad was for a junior designer, with three years’ experience and knowledge of AutoCAD, the computer drafting program. Mr. Motl didn’t meet either of those requirements, but he did have pictures of this apartment. He got the job

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Robert Wright for The New York Times

Great Press from Traditional Home

Wednesday, January 20th, 2010

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Thanks to Traditional Home for including me in their list of “20 Young Designers to Watch”, in their March 2010 issue.  It is an honor to be included in this group of incredibly talented individuals, and great to be recognized by a favorite publication.  I had the privildege of getting to know one of the editors, Candace Manroe, this year on the photo shoot for a home in Key West that will be featured in the June issue.  Working with one of their great photographers, Werner Straub, was also amazing.  After having owned my own firm for just over 10 years, this has become one of the highlights.  I am most appreciative.

 

The feature is very clever.  The editors have taken this honor one step further to get their readers involved and are offering a fantastic prize to both the winning reader and winning designer.  As a reader of Traditional Home, you have an opportunity to vote  for your favorite young designer, and in the process win $5000 worth of Duralee fabrics!  As one of the featured designers, I have the opportunity to win more recognition in their publication.  The winners will be revealed in the October 2010 issue.  Voting is easy, and your vote for me will be greatly appreciated. 

 

Go to http://www.traditionalhome.com/duralee and click “Join Now” to register with Traditional Home.  You have to be registered to vote.  After that, click “Vote Now” in the Reader’s Choice section.  Scroll down to view the designer portfolios, and then cast your vote.  You will be asked to confirm a security code, and once you have entered that, press “ENTER” to cast your vote.  There will be a notice saying you were successful if everything was done correctly.  You can vote every day until March 23 and increase your chances of winning!  Thanks for your support, and thanks again to the team at Traditional Home for your vote of confidence in my ability.