Archive for the ‘Inspiration’ Category

Kindel – Hot Off the Dock!

Thursday, January 21st, 2010

Picture 1

A favorite resource for custom products is Kindel Furniture Company. Their story is as interesting as their products.  Started in St. Louis over 100 years ago, and still owned by part of the original founders, Kindel is considered one of the last great American furniture companies. Now located in Grand Rapids, Michigan, they have a distinct ability to adapt to market trends while staying true to their values of quality and craftsmanship. They are delightful, friendly people, and their showroom is always one of my highlights at the High Point furniture market.

Kindel holds the license agreement to reproduce items from the world famous Winterthur Museum, as well as the license agreement to reproduce items from our founding president’s home, Mount Vernon. Recently, they have become famous for their work at the Greenbrier Hotel assisting in the restoration of the public and guest rooms. In order to do justice to the restoration of the Greenbrier, they have begun reproducing many pieces designed by the great Dorothy Draper, who set the standard for design in what the Greenbrier is today. A classic American decorator, her work was fresh and innovative at the time, and it still is today.

Kindel sends me regular examples of items they are preparing for shipment. It is interesting to see what they are doing and how other designers manipulate their products to become one of a kind items.

The trellis writing table is a great example of how Kindel can manipulate a product and change its look. This table was originally done in mahogany, but the white laquer makes it look totally fresh.

The two drawer console and curio is a fabulous Dorothy Draper piece. This can be done in any of their multitude of finishes, but imagine how “traditional” it would look in mahogany, how contemporary it would look in black, how Asian it would look in red.  This is a great versatile piece with endless possibilities.

The Custom Mark round tables are fun and playful. Definitely not a design one would initially think of Kindel as producing.

The Townsend Tea Table is a classic Kindel piece, and harkens back to their roots as reproducing 18th century American antiques.

Great Press from Traditional Home

Wednesday, January 20th, 2010

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Thanks to Traditional Home for including me in their list of “20 Young Designers to Watch”, in their March 2010 issue.  It is an honor to be included in this group of incredibly talented individuals, and great to be recognized by a favorite publication.  I had the privildege of getting to know one of the editors, Candace Manroe, this year on the photo shoot for a home in Key West that will be featured in the June issue.  Working with one of their great photographers, Werner Straub, was also amazing.  After having owned my own firm for just over 10 years, this has become one of the highlights.  I am most appreciative.

 

The feature is very clever.  The editors have taken this honor one step further to get their readers involved and are offering a fantastic prize to both the winning reader and winning designer.  As a reader of Traditional Home, you have an opportunity to vote  for your favorite young designer, and in the process win $5000 worth of Duralee fabrics!  As one of the featured designers, I have the opportunity to win more recognition in their publication.  The winners will be revealed in the October 2010 issue.  Voting is easy, and your vote for me will be greatly appreciated. 

 

Go to http://www.traditionalhome.com/duralee and click “Join Now” to register with Traditional Home.  You have to be registered to vote.  After that, click “Vote Now” in the Reader’s Choice section.  Scroll down to view the designer portfolios, and then cast your vote.  You will be asked to confirm a security code, and once you have entered that, press “ENTER” to cast your vote.  There will be a notice saying you were successful if everything was done correctly.  You can vote every day until March 23 and increase your chances of winning!  Thanks for your support, and thanks again to the team at Traditional Home for your vote of confidence in my ability.

Faux Finish Expertise

Wednesday, January 13th, 2010

 

painted kitchen floor

Photo shows a painted kitchen floor

 

We work with several different types of painters in the interior design business.  Different jobs require different levels of expertise.  A painter who is experienced at wall and trim paint, getting a silky smooth finish on woodwork, and walls free of drywall seams and nail pops is a wonderful thing, but he is probably not the person you want to do a decorative finish.  My experience is that an expert in that area is very important.  Faux finishing is a talent that requires years of experience to master.  A professional finisher will know where to start with the finish, how long it will take him to complete an area, and where a safe place to stop finishing will be.  You see, you can’t just stop for lunch anywhere along the way.  Stopping points have to be calculated in advance or your stopping points will be visible in the finished product. 

 

One faux finisher I work with regularly is Timothy Brown of Brown Studios in New York.  He makes monthly trips to Knoxville to work on my jobs, and is considering moving here in early summer.  Timothy’s work is world class.  He was trained by another of my faux painters, Daryl Garrison, who is still practicing in Nashville, Tennessee.  Timothy honed his craft under Daryl’s tutelage, and branched out to form his own company in New York.  There, he has worked for many top interior designers and their major league clients.  He has done work in the Kipps Bay Showhouse several times, worked with nationally recognized designer Eric Cohler, and his clients have included Katie Couric, Michael Douglas, and Katherine Zeta Jones.  Following are a few images of Timothy’s talents.

nursery painted floor

A painted nursery floor

tonal layerd blocks

Layered blocks

painted monogram

Painted monogram

 

horizontal stripes, playroom

Painted stripes for a playroom

Black and white stripes

Black and white stripes

Kips Bay Showhouse

Kipps Bay Showhouse

 

As you can see from the above photos, Timothy’s talent extends far beyond “walls” and includes floors, ceilings, furniture, and decorative items.  These are world class finishes by a fun and talented man.  His precision is amazing.  Who else could paint those perfect stripes with such detail?  Look for more of Timothy’s work in the future.

What is Traditional

Tuesday, January 12th, 2010

Looking at my Facebook page tonight, I had a wide awakening.  I was browsing through a beautiful post Traditional Home magazine had done featuring 30 different table top vignettes.  The concept was to show how tables….not just dining tables, but buffets, chests, cocktail tables, and lamp tables can be turned into wholistic art pieces by the way accessories, art, and objects are arranged.  The editors did a beautiful job of showing a variety of tables, colors, and styles.  The reviews by readers were brutal to say the least.  The readers showed no tolerance for anything that was not within their personal style.   Click here to see the post.

 

A good designer will listen to what their client wants.  If you want a white room, with white upholstery, white floors, and white draperies, a good designer will explain what the negatives could be, and if you accept them, will proceed to give you the look you want.  All white isn’t right for my lifestyle, but I have seen places where it works beautifully and clients who are able to easily maintain it.  When I look at a room that is beautifully done, it is easy for me to appreciate what went into the making of the room, and to visualize how it could be lived in.  As readers of shelter magazines, we should try to show tolerance for different styles and to learn how to appreciate them.  Interior Design is an art form, and designers and their clients deserve the same type of respect for their areas of expertise that good artists get.  Who would say that Picasso could not paint?  Even if you don’t like his style, most people can appreciate what went in to creating his pieces.  If you don’t know how he transformed himself from a classical painter to one of the most well known contemporary artists ever, read up.  It is fascinating to see his style transform. 

 

Traditional means different things to different people.  Someone from Saudi Arabia will have a completely different perspective on what “traditional” is than someone from Kansas.  Try to think about these factors when reading your shelter magazines.  They will become much more interesting, and you will learn lots more about different styles and cultures.  You might even be surprised by discovering something you didn’t know, and changing the way you view interiors.

 

All that being said, before you judge an interior as ugly, dated, not original, or impractical, try to determine why it is that way.  Maybe it is exactly what the client wanted, and maybe to someone else, it is beautiful.

Ralph Lauren Chicago

Saturday, January 2nd, 2010
Stairs to the third floor

Stairs to the third floor

Our early winter get-away this year was to Chicago.  It was our first time being there.  We have always chosen New York over Chicago, and after this trip, I am not sure why.  Chicago is a fantastic city.  The “Magnificent Mile” is nothing short of its name.  On these trips, we are constantly searching for design inspiration.  One of the easiest places to find it is at a Ralph Lauren flagship store.  The Chicago outpost does not disappoint.
The first floor is dripping with Ralph Lauren signature style.  Antique Persian rugs underfoot, luxurious fabrics everywhere you look, and more mahogany than a rain forest.  Add in an impeccably dressed staff, beautiful merchandise, and end-of-season sales, and it is a shoppers paradise. 
Third floor stairs

Third floor stairs

I could not resist the temptation to be a tourist in this interior design wonderland.  The attention to detail in this store is beyond expectation.  Every where you look is another original detail.  The artwork is amazing.  It is well curated, grouped to make sense, and hung in the most creative fashion.  The stair ways are a perfect example of how creative the design is.  These are areas that often times go forgotten.  Ralph Lauren has not missed an opportunity to make sure you know where you are every minute you are in the store.  Antique paintings floor to ceiling in the stairs is a great way to let your clients know where they are.  In the above photo, equine images are grouped around a fantastic antique English clock.  Sisal underfoot conjurs manor houses of the United Kingdom
Hallway to the Purple Label salon

Hallway to the Purple Label salon

The above photo shows one of my favorite signature Ralph Lauren holiday looks.  The wide plaid fabric draped to the lantern is a creative, understated touch for Christmas.  Note the herringbone floors, another of the endless details. 
Main Staircase

Main Staircase

Main Staircase

Main Staircase

The main stairs take you to a grand castle in Scotland.  How could this be Chicago?  Beautifully polished mahogany paneling, scores of serious art, blue and white porcelain to brighten it up, and stairs wide enough for semi trucks to pass; it just doesn’t get any better.  Even the ceiling is period appropriate.  The same art hanging technique is equally effective on mahogany as it is on the sisal of the upper floor stairs, but definitely more dressed up.
The necktie salon

The necktie salon

One of my favorite spots in the store is the necktie salon.  This is a great place for ideas, and the source of the majority of my bow tie collection.  See how warm the red silk shades make the space feel.  A simple traditional brass chandelier suddenly becomes fashionable with this bright detail.  Mahogany, old rugs, and more fabulous art top it off.
A beautiful room display in the Home Gallery

A beautiful room display in the Home Gallery

The Home Gallery on the fourth floor is also inspiring.  In this vignette, fabrics from Ralph Lauren’s “Indian Cove Lodge” collection make you want to sit down and have a brandy.  The furniture is also fabulous, and is now available through Todd Richesin Interiors, as are all the Ralph Lauren wallpapers and fabrics.  My favorite, the spool chair in “Sagamore Check.”  So sophisticated, understated, and chic.
The I can't believe its in a retail store bathroom

The I can't believe its in a retail store bathroom

After spending so much time in the store, there is one place I had to visit before leaving.  What a treat.  A public restroom with total privacy, fantastic style, and meticulously maintained.  The art was whimsical, and the marble floors and counters say quality.  The unusual sconce application is totally inventive and a signature Ralph Lauren look.

Bobby Todd Antiques at Christmas Time

Tuesday, November 24th, 2009

I had some appointments today in Sweetwater, and there were a few minutes left for me to visit the store.  Bobby does such an amazing job with the shop.  It was so festive today, and everything was in the perfect spot, clean, and beautiful.  If Bobby Todd at Christmas doesn’t get you in the holiday spirit, nothing else will.  We shot these few photos to give you a little peek inside the world of Bobby Todd at Christmas.

 

Vintage Christmas cottages and bottle brush trees

Vintage Christmas cottages and bottle brush trees

 

Giant snowman and Votivo candles

Giant snowman and Votivo candles

 

Ho Ho Ho pillows and antique settee

Ho Ho Ho pillows and antique settee

Santas and ornaments

Santas and ornaments

What It Means To Be Recognized

Thursday, November 19th, 2009

Tonight, I got my first copy of House Beautiful December/January 2010.  I am featured on page 33, and following is a little story on how it happened and what it means to me.

A couple of months ago, a package appeared on my doorstop from Doretta Sperduto at House Beautiful.  I wasn’t home to get it, but when Bobby saw it, he opened it and found a letter recognizing me as being selected to their list of the “Next Wave of Top 20 Designers.”  He called me immediately to share the news.  I was getting ready to have dinner with a client in Atlanta, and the dinner suddenly went from general business to celebratory.

For years, I have dreamed of doing work that was good enough to be recognized on a national level.  What must be about 18 years ago now, I read an article in Southern Accents entitled “Four Under 40″ (Four newly discovered designers). In the article, the editor said if a designer was not “discovered” on a national level by the time they were 40, they would never be discovered.  What a horrible comment for someone with the power of an editor to make.  Dreams can be dashed from words like these.

For me, those words became a driving force in my life.  From then on, I was on a mission to get “discovered” by the time I was 40.  I knew my work was good.  My clients love what I do for them.  They refer me.  For all practical purposes, I had been discovered for years.  It is different though to have someone who knows nothing about you… someone who sees thousands of design projects each year… someone who has nothing to gain from recognizing you… notice your work and believe it to be good enough to receive national attention and share with their readers.

I never told anyone that story.  Bobby found it out only recently.  When my “discovery” actually happened and the letter came, my reaction was not what I had expected.  I was excited about it enough, but there was a flood of other emotions.  Can I deliver the product these people expect of me?  How did they decide on me from what must have been hundreds of candidates?  Will this affect my life?  Do I want it to?  It was a humbling experience, and I think I grew up more on that day than any day in my life.  Tonight, after driving to the bookstore to get a copy of the issue, it was nice to open the magazine with Bobby, share the experience, and then move on to the rest of our evening.  Life really didn’t change.

Another thing the experience made me realize is that this one was not enough.  The drive that got me here has only grown stronger.  I want to continue to grow, to do even better work, to make a lasting impression on the design community, and to help people live in more beautiful spaces.  I hope you enjoy reading about what I do, seeing my work, and learning about what life inside the world of interior design is like.

NextWave

What’s in a JAR?

Monday, November 16th, 2009

At Todd Richesin Interiors, customer service is always a top priority. I try my best to go above and beyond what a client wants to make them happy. As my typical client relationship evolves more into friendship, it is easy for me to do that.

Recently, a client heard I was headed to New York to view the Christmas windows. She loves anything carnation, and had heard of a parfum at Bergdorf Goodman by Joel Rosenthal called JAR. He allegedly had a fragrance that hinted of carnation….although the sales associate would not divulge any of the secret ingredients via telephone. He was haughty and made it clear that one had to “experience” JAR in either Paris or New York. Since Knoxville is near neither, she asked me to stop by Bergdorf and check it out, since our hotel was practically next door.

Upon entering Bergdorf, we inquired with the first available sales associate about JAR. We were immediately whisked by not one but two sales people from the entry level down to cosmetics. They gently nudged other shoppers out of our way to make us feel most important on our mission. We passed all the standard fragrances, and as we went deeper into to the catacombs of Bergdorf’s perfume department; the clothes on the shoppers became more rare, and the scents increasingly expensive. I searched years for a cologne that smelled good on me. I smelled many that were good on a card or in the air, but they never were quite the same on my skin. Finally, I discovered the fabulous French house of Creed. Up until this experience, I considered it to be pricey….sublime, but pricey. Rare too, since Nieman Marcus is the only place I know it can be had. Well, we left the Creed counter in a cloud of lint from Prada sweaters on the way to the JAR boutique. In the deepest depths of Bergdof lay the illusive alcove named JAR.

You entered from the well lit store into a tiny room illuminated only by hidden spot lights that shone on a pair of gilded Louis XVI style console tables. The entire space was swathed in pale purple cotton velvet. On the oval back French chairs where one sits for the JAR experience, the velvet was the same, but gently worn. The fine wool carpet was of the same shade, as were the beautiful chair, base, door, and crown moldings. On the ceiling was painted an ominous sky with a lighting bolt piercing across it. Quite dramatic, if I do say so. Since there were only two tables, only two people can have the JAR experience at a time. It was me in my jeans, and what appeared to be a witch who was sitting in full black dress at the other table. From a tiny portal emerged an impeccably dressed man in a dark suit whose tie, pocket square, and shirt were the exact shade of purple as the walls. I am fairly certain that in order to be a JAR representative, you must look good in grape. Not knowing what I had gotten into, I requested a bottle of the perfume that smells like carnations. It became immediately clear that the scents would not be divulged. The nice man suggested I smell each of the fragrances to determine which one was what I sought. He then emerged from the tiny portal with a silver tray containing what appeared to be six specimen dishes with clear glass lids. In each one was a black cloth. One by one he opened them and dramatically wafted the dish around the table top and then lifted it to my nose. I was less than impressed with the scents themselves. To me, they were stump water, wet dirt, and other things one would assume would be in Granny Clampet’s pantry. The last one was Galconda. I had struck gold. It was totally carnation…..although the sales associate would never divulge it. I said that was it, and I would like a bottle. $500 later, I emerged with a tiny one ounce flacon in a purple velvet pouch, and a box so big it scarcely made it into the overhead bin on the plane home.

I consider myself to be somewhat well traveled and aware of the finer things in life, but I have never seen so much pageantry associated with such a tiny array of products. Only six scents….only two customers at a time….only in New York or Paris. The most similar experience I can think of where so much drama is associated with products is at the 16th century Santa Maria Novella pharmacie in Florence, Italy, where monks still make the products and you buy them from what I am certain was the inspiration for Hogwarts castle in Harry Potter. Well, all I can say is, whatever it takes to make a client happy. That is what I want to do. My client was ecstatic. She could tell no one how much she spent on perfume, and a month later, she lost the tiny bottle in a hotel room. Oh well, I did my part, and when my New York faux finisher Timothy Brown returns to Knoxville to work for me next week, he is having the JAR experience, and bringing her another bottle of the elusive scent.

Blackberry Ridge

Thursday, October 22nd, 2009

Next time you’re browsing Toddrichesininteriors.com, check out my latest project, Blackberry Ridge, a farmhouse in Greenville, TN. This project was really exciting for me as I was involved from concept to completion. All the interior details are my designs from the kitchen to the stair rails.

The home, which was designed around rosy-hued windows salvaged from a house that was demolished in Provence, is a mix of elegant refinement and casual rustic-ness. The juxtaposition of such things as silk draperies hanging on stucco walls makes it feel as though the house has been there a long time. Stunning mountain views further enhance the charm and sophistication of this beautiful home.

Follow this link for photos and more information on the Blackberry Ridge project.

Celebrating 10 years of excellence in interior design

Thursday, October 22nd, 2009

September 2009 marked the 10th anniversary of Todd Richesin Interiors. I will celebrate my 40th birthday in November. As I reflect on these milestones, I see how experience is such an important part of creating a successful business. It takes a good 10 years to really understand what you are doing. I can see that the work I did in my early years was very good, but the work I do now is even better. I have learned much in the last decade. In addition to patience, I have also discovered what I can and can’t take on. Since the beginning, Todd Richesin Interiors has laid a strong foundation of quality design. My experience and wonderful client list have been invaluable and it has been truly gratifying to have so many people in my corner helping me succeed. In recent months, I have been able to slow down and focus my energy more and immerse myself in projects, which has helped me continue to grow in experience.  Over the years, I have met a lot of wonderful people that I can’t wait to work with again. We have developed wonderful working relationships that add to the quality of each project. That positive energy trickles down to others involved in the design process like the seamstress, upholstery shop and vendors, which gives the project even greater momentum.

The quality of my work has been recognized by the editor of “Traditional Home” magazine. A home I decorated in Key West will be featured in their June 2010 issue. This type of experience for an interior designer is the equivalent of a ballplayer making the all-star team.  My work has also been selected to appear in the book “Interiors Southeast,” published by Panache. This book will showcase work by the top 50 designers in the southeast. The book is divided into three sections – mountain retreats, metro lifestyle and waterfront living. I will have projects in all three sections.

Although a fair amount of my work is out of town, I don’t think that makes me any less effective in town. In fact, I think travel helps broaden my design horizons. I am exposed to new products and new ways of using those products. I meet new people and experience new things, which I can bring back to local projects.

There have been many exciting things happen in my first decade with Todd Richesin Interiors and I am really excited to see what the next 10 years have to offer.